“The Middle”: Maybe that Drake one from before was just messing with my head, but I’m pretty sure this one is in Lydian, too. Either that, or again, there may be “multi-modal” possibilities here. The melody is definitely rocking the G major pentatonic, but on the other hand, the changes return to the C chord on the stronger beats all the time, so there’s that. And the fact that the song ends on a D chord (not G or C) doesn’t give us any tie-breakers. It’s almost like both the G and C tonics just “met” somewhere, like… in the…
The sound effects library will have presets to choose from such as “Dance Vocal,” “Natural Vocal,” etc., but feel free to pick and choose effects that sound good on your recording by trial and error. A little bit of reverb or delay can go a long way in making the vocals in your demo stand out and not sound jarringly raw.
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My wife and I had moved to Nashville and were just starting the process of buying a house. We talked to several lenders to get pre-approval (my understanding was that it made the process go smoother), and every conversation went something like this.
Unsuk Chin is a South Korean composer now living and working in Berlin. Like her mentor Gyorgy Ligeti, Chin’s incredible technical prowess gives her unique control and precision over her craft. Known for pushing boundaries in October 2017, Chin won the illustrious Wihuri Sibelius Prize, which includes a grant of €150,000, adding her name to a list of composers and former winners that includes Ligeti himself, Stravinsky, Britten, Messiaen, and of course Jean Sibelius. With a seriously impressive portfolio of opera, orchestral, chamber, vocal, solo, and even electronic/electroacoustic work, Chin’s sound world is increasingly broad, challenging, and beautiful.
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