Often I find myself using practice to shut my mind off and escape my day-to-day concerns. Playing becomes meditative. And there’s absolutely no way I’m going to stop doing this — it’s part of why I play music. Back off, Ericsson!
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These days, the concept of a mailing list may seem antiquated and, to an extent, it is. Everyone with an inbox gets bombarded with offers and unsolicited invites each and every day — most of which are promptly deleted without even a glance. Still, despite the high chance that most of your newsletters are going to be deleted, it is worthwhile to get everyone’s emails at your show for a couple of reasons:
Taught by Alex Wilson of the Australian band Sleepmakeswaves, this course is less about recording at home and more about how to take in-the-box material and make it come to life while you’re performing onstage. We take you through the best gear to use, how to organize your tracks in Ableton Live, how to setup your laptop rig, and much more!
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Hailing from Peru, Lara Nuh is known for mixing Afro-Peruvian rhythms, traditional flute sounds, with house beats. Her first single, “Rumba De Muerte,” is a deep house jam perfect for that late summer celebrity-tinged pool party you’ve definitely never been to. The use of traditional chants as a rhythmic element is especially tasty, I find. I especially love her Sofar performance in Lima. I feel that her ability to move between different elements, while keeping this sense of traditional Peruvian music flowing through everything she’s doing, is really excellent.
We here at Soundfly always recommend that you read as much as you can about your craft. There’s no reason to stop learning, stop improving, or stop seeking better, more efficient, and more creative ways to make musical work. So without further ado, here are five essential recommendations for the mixing engineer’s bookshelf.
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