Another common issue is sibilance — or excessive “s,” “t,” and “z” sounds — often exacerbated by cheap condenser microphones. Sometimes this issue can be solved using an equalizer to remove the offensive frequencies in the 5-10 kHz range, but this approach often leaves the vocal sounding dull and flat. A much more effective solution is to use a de-esser to attenuate the specific frequencies causing the sibilance. This way, the frequency is only attenuated when it becomes excessive, leaving the vocal sounding bright and clear the rest of the time.
As for listening, I love heavy grooves, but I also love music with a huge sound and epic quality, which could be anything from a John Williams film score to Ella Fitzgerald singing with a bombastic big band, to massive EDM and other electronic tracks—I think they have more in common aurally than most might realize.